An original musical score to accompany Rebecca Chamberlain’s painted environments. Constructed from a mixture of field records and period appropriate recordings from sheet music found in the Zimmerman House, Richards has compiled these sub mixes in a postproduction 3D field to give an immersive sound suggestive of Chamberlain’s depicted spaces. Installed discretely and set to a low volume, the music quietly resonates throughout the gallery. As viewers move between compositions the sound also acts fluid, feeling at once distant and present.
